The kingdom of Atlantica where music is forbidden, the youngest daughter of King Triton, named Ariel, discovers her love to an underground music club and sets off to. Because any trip to see a Soviet shuttle is worth it as long as no one’s wearing handcuffs at the end.

The Little Mermaid (musical) - Wikipedia. The Little Mermaid is a stage musical produced by Disney Theatrical, based on the animated 1. Disneyfilm of the same name and the classic story of the same name by Hans Christian Andersen about a mermaid who dreams of the world above the sea and gives up her voice to find love. Its book is by Doug Wright, music by Alan Menken and lyrics by Howard Ashman (written for the film), with additional lyrics by Glenn Slater. Its underwater setting and story about aquatic characters requires unusual technical designs and strategies to create gliding movements for the actors. After a pre- Broadway tryout in Denver, Colorado from July to September 2.

Broadway previews in November 3 2. Watch All About The Money HD 1080P. Lunt- Fontanne Theatre, replacing Disney's Beauty and the Beast.

The production officially opened on January 1. August 3. 0, 2. 00. It introduced Broadway debuts by director Francesca Zambello and Sierra Boggess in the title role. Subsequent productions have been seen in US regional theatres and internationally.

A modified version of the musical with a new book and direction by Glenn Casale was developed in 2. Development[edit]"It [then] becomes about how does she live underwater, and how do you make that world? It's about the truthfulness to the story and that, in essence, gave me the idea to create something that was really a jewel- box – something that was very simple and in terms of the set, very translucent, takes light beautifully and [is] architectural and sculptural to suggest an underwater world without actually being in real water or having people swimming.'"[1]— Francesca Zambello, director. Disney Theatrical had success with stage adaptations of its animated musical films Beauty and the Beast in 1. The Lion King in 1. Thomas Schumacher, head of Disney Theatrical, proposed another adaptation, this time of the 1.

That creates problems for inland, freshwater-adapted marshes, which the mangroves help to buffer against both storms and rising sea levels. As saltwater plows inland.

The Little Mermaid, approaching songwriter Alan Menken, who had composed the music for the film, to be part of the production team.[1] Schumacher initially brought on director/choreographer Matthew Bourne to helm the musical, but Bourne left when their visions on the project differed.[2] Schumacher then approached Francesca Zambello, telling her that "We haven't found a way to do the water". Zambello's experience with the fantasy elements of opera made her open to the project, and the decision was made that there would be no water, wires or flying in the production.[2] Playwright Doug Wright was brought on as book writer, focusing the story line on Ariel's longing not for her prince, but for "a world in which she feels truly realized in her own terms. Her ambitions are bigger than any one man."[2] For the songs, Menken brought on lyricist Glenn Slater, whom he'd worked with on Home on the Range, and together they wrote ten new songs for the stage musical, adding '6. Brechtian cabaret to the sound of the show.[2]In creating the underwater world on stage, director Zambello asked her design team to use translucent materials to create abstract shapes and manipulate light to give the watery illusion.[3] The design team consisted of George Tsypin for sets, Natasha Katz for lighting and Tatiana Noginova for costumes, all three of who had previously worked with Zambello.[2] For the performers' movements, choreographer Stephen Mear had the actors wear Heelys wheeled footwear, dubbed "merblades", while tails on sprung- steel rods, designed by Michael Curry, were attached to their hips.[4]Sierra Boggess, who originated the role of Ariel, was an ice- skater and had no trouble with the Heelys, but the rest of the cast took some getting used to the footwear.[2] Ariel's tail originally had a motor inside that allowed the fluke to move independently, but the mechanics made the tail heavy and loud and were removed.[2]Rehearsals for the Broadway production began on May 2. New 4. 2nd Street Studios in New York. The cast had six weeks of rehearsals before the pre- Broadway tryout.[2]Reimagining[edit]After the Broadway production under- performed at the box office and closed in 2. Glenn Casale was brought on to reinvent the musical for the 2.

Dutch production. He made changes to the score and book, including introducing a new song, "Daddy's Little Angel" to replace "I Want the Good Times Back" (which gives Ursula and Triton a new backstory), and replacing the Heelys worn by the actors to introduce aerial effects and flying harnasses to create the illusion of being underwater.[5] The new stage design was made by Bob Crowley, with the world above water made to look like a pop- up book, using cardboard waves and rocks.[6][7] Following the success of the Dutch production, Casale then worked with California Musical Theatre to present a regional production of the musical in the round.[5] The various changes introduced by Casale in these productions have been incorporated into the official version of the show that Disney Theatrical currently licenses for regional and professional productions.[5]Productions[edit]Original production[edit]The show had a pre- Broadway tryout at the Denver Center for the Performing Arts' Ellie Caulkins Opera House from July 2. September 9, 2. 00. Every seat available (approximately 9.

The Little Mermaid is a stage musical produced by Disney Theatrical, based on the animated 1989 Disney film of the same name and the classic story of the same name by.

Broadway[edit]The musical began previews on Broadway at the Lunt- Fontanne Theatre on November 3, 2. November 1. 0, 2. Broadway stagehand strike.[9] The strike ended on November 2. The official opening date was postponed from December 6, 2. January 1. 0, 2. 00. Jodi Benson and Pat Carroll, who starred in the 1. Ariel and Ursula, respectively, attended the opening night ceremony.[1.

Direction was by Francesca Zambello, making her Broadway debut, with choreography by Stephen Mear. Scenic design was by George Tsypin, costumes by Tatiana Noginova and lighting by Natasha Katz. The original cast featured newcomer Sierra Boggess in the title role of Ariel, Sean Palmer as Prince Eric, Brian D'Addario and Trevor Braun alternated as Flounder, Norm Lewis as King Triton, Sherie Rene Scott as Ursula, Tituss Burgess as Sebastian, Tyler Maynard as Flotsam, Derrick Baskin as Jetsam, Jonathan Freeman as Grimsby, and John Treacy Egan as Chef Louis. Notable replacements included Faith Prince as Ursula and Drew Seeley as Prince Eric. The production closed on August 3. Thomas Schumacher, producer and president of Disney Theatrical Productions said, "it would be fiscally irresponsible to our shareholders to risk operating losses with such a big show in the historically challenging fall months.

Breaking Into a Russian Military Base to See an Abandoned Soviet Space Shuttle Was Worth the Risk. Because any trip to see a Soviet shuttle is worth it as long as no one’s wearing handcuffs at the end. A group of You. Tubers going by the name Exploring the Unbeaten Path traveled to the middle of nowhere to get a look at some space shuttles from the suspended Soviet- era Buran programme.

Located at the Baikonur Cosmodrome spaceport in Kazakhstan, the hanger that the group would have to infiltrate is abandoned but the base is still active. The world’s first and largest space launch facility, Baikonur is leased by the Russian government and all crewed Russian missions still launch from there. Commercial and military missions are also staged at the spaceport, and soldiers patrol the area.

Although the explorers have numerous scares, they manage to get into the facility and spend a lot of time. They brought back tons of footage of the shuttles on the inside and out, even managing to fly a drone through the enormous hanger.

These shuttles are an important piece of space history and it would be great to see them get better treatment. The Buran programme was Russia’s reusable spacecraft plan that was hobbled by the collapse of the Soviet Union. Watch The Play House Megavideo.

Only one unmanned mission flew during the program and the orbiter was later crushed in a hanger collapse. The program was indefinitely suspended in 1. Technik Museum Speyer. Take a glimpse at this beautiful space that you’d probably never make it into, risk free.[Exploring the Unbeaten Path via Digg].